This blog is a search for the background of all Rabindra lyrics. and is dedicated to Rio [Angan Samdder] writer of "Mark and seismic Sword at his age of 12.
Saturday, July 30, 2016
(video) ki korili mohero cholone -swara-8
157 - 160 , these four songs , sung in Adi Brahmmo Samaj
The following four songs were sung in Maghotsab in 1289 in Adi Brahmmo Samajand published in Tattwabodhink1804, Phalgun.
157. Dak cheye dekh tora jagater utsab;
158. Ki karili moher chalane,
159. Baraa asha kore esechi go
160. Aaji shubhadine pitar bhabne.
157. Dak cheye dekh tora jagater utsab;
158. Ki karili moher chalane,
159. Baraa asha kore esechi go
160. Aaji shubhadine pitar bhabne.
(video) Dekh Cheye Dekh Tora - swara -45
(video) Sakali furalo swapanpray(সকলি ফুরাল, স্বপনপ্রায়) - REZWANA CHOUDHURY
(video) KE ELO AJI KANIKA BANDOPADHYAY - swara-49
(video) Enechhi Mora From Balmiki Pratibha and He's A Jolly Good Fellow - Sounak.- swara-49
Friday, July 29, 2016
(video) SAGHANA GHANA CHAILO : GOUTAM MITRA - swara- ketaki
(video) Phule Phule Dhale Dhale Kanika Banerjee 1971
( video) O BHAI DEKHE JA KATO PHUL Subir Sen Rabindrasangeet - swara-3
Kaal Mrigaya -(118 - 156) - 39 songs and one mantra.
The next 39 songs and one mantra of which 7 songs are used in Balmiki prativa. are from Kaalmrigaya. - swara- 29, done by Indira Devi..
(video) Maa Ami Tor Ki Korechhi-Jayeeta Ghosh; swara-20
Rabindranath at the age of 21 (1882-1883)
At the age of 21 Rabindranath wrote 47 songs of which 2 don't have swaralipi.
115, Ma aami tor ki karechi, swara-21
116. Aar ki aami charbo tore , no swaralipi
117. Aaj aamar aananda dekhe ke ; no swaralipi
118. From 118 to 156.no. songs are included in Kalamrigaya, dance drama which was staged at their own house at Jorasanko in front of the learned assembly on 23 Dec, 1882. The total no. of songs in this dance drama was 39 and one mantra. 7 songs of this drama were added to Balmiki Prsativa in 2nd edition. The composition of the songs were written by Devi Choudhurani. there are some difference of tuning of these songs with that of the original.
118. Bela je chale Jay, Dubila Rabi, 119. O bhai dekhe ja kata Phool tulechi, 120. O, dekhbi re bhai aay re chute, 121. Kaal sakale uthba mora, 122. Samukhete bahiche tatini, 123. Phoole phoole dhale dhale, 124. Naharo go sahachari, 125. Jal ene de re bacha, 126. Na,na, kaaj nai jeyo na bacha, 127. Aama tabe akaarana, 128. Sahgana ghana chailo gagana ganaiya, 129. Jham, jham, Ghana ghana re Barashe , 130. Aay lo sajani, sabe mile, 131. ki ghora nishith,132. Mana nahi manili, 133. Bane bane sabe mile, 134. Jayati jay jay rajan, 135. Gahane gahane ja re tora, 136. Chal chal bhai twara kore mlora, 137. Pran niye to, satkechi re, 138. Thakur mashay , deri na say, 139.AAh, bechechi ekhon, 140. Enechi mora, enechi mora , 141. Ke alo aji, a ghor nishithe, 142. Na jani kotha elum, 143. Hay ki holo, hay ki holo, 144. Kee karinu hay, 145. Ki dosh korechi tomaar, 146. AAmar praan jde byakul hoyeche, 147. Balo balo pita, kotha se giyeche, 148. Ke jane Kotha Se, 149. Etokshane bujhi eli re, 150. Ajnane karo he kkshama, tato dhari charane, 151. Ki balile, ki shunilam, 152. Kshama karo more tato, 153. Aaha kamone badhilo tore, 154. Shok tap galo dure, 155. Jao re anantadhame, 156. Sakali phuralo swapana pray,
157 to 160 - these four songs were sung in Adi brahmma samaj Mandir 1289 in maghotsab.
157. Dhak cheye dhak tora jagater utsab, 158. Ki karili moher chalane, 159. Bara asha kore esechi go, 160. Aaji shubhadine pitar bhabane,
161. Barsha oi galo chale, swara 20,
115, Ma aami tor ki karechi, swara-21
116. Aar ki aami charbo tore , no swaralipi
117. Aaj aamar aananda dekhe ke ; no swaralipi
118. From 118 to 156.no. songs are included in Kalamrigaya, dance drama which was staged at their own house at Jorasanko in front of the learned assembly on 23 Dec, 1882. The total no. of songs in this dance drama was 39 and one mantra. 7 songs of this drama were added to Balmiki Prsativa in 2nd edition. The composition of the songs were written by Devi Choudhurani. there are some difference of tuning of these songs with that of the original.
118. Bela je chale Jay, Dubila Rabi, 119. O bhai dekhe ja kata Phool tulechi, 120. O, dekhbi re bhai aay re chute, 121. Kaal sakale uthba mora, 122. Samukhete bahiche tatini, 123. Phoole phoole dhale dhale, 124. Naharo go sahachari, 125. Jal ene de re bacha, 126. Na,na, kaaj nai jeyo na bacha, 127. Aama tabe akaarana, 128. Sahgana ghana chailo gagana ganaiya, 129. Jham, jham, Ghana ghana re Barashe , 130. Aay lo sajani, sabe mile, 131. ki ghora nishith,132. Mana nahi manili, 133. Bane bane sabe mile, 134. Jayati jay jay rajan, 135. Gahane gahane ja re tora, 136. Chal chal bhai twara kore mlora, 137. Pran niye to, satkechi re, 138. Thakur mashay , deri na say, 139.AAh, bechechi ekhon, 140. Enechi mora, enechi mora , 141. Ke alo aji, a ghor nishithe, 142. Na jani kotha elum, 143. Hay ki holo, hay ki holo, 144. Kee karinu hay, 145. Ki dosh korechi tomaar, 146. AAmar praan jde byakul hoyeche, 147. Balo balo pita, kotha se giyeche, 148. Ke jane Kotha Se, 149. Etokshane bujhi eli re, 150. Ajnane karo he kkshama, tato dhari charane, 151. Ki balile, ki shunilam, 152. Kshama karo more tato, 153. Aaha kamone badhilo tore, 154. Shok tap galo dure, 155. Jao re anantadhame, 156. Sakali phuralo swapana pray,
157 to 160 - these four songs were sung in Adi brahmma samaj Mandir 1289 in maghotsab.
157. Dhak cheye dhak tora jagater utsab, 158. Ki karili moher chalane, 159. Bara asha kore esechi go, 160. Aaji shubhadine pitar bhabane,
161. Barsha oi galo chale, swara 20,
Thursday, July 28, 2016
(video) AMI SHUDHU ROINU : RABINDRA SANGEET : KRISHNA GUHA THAKURTA - swara - 8
( video) ANANTA SAGAR MAJHE Rajeswari Dutta Rabindrasangeet , swara-8
( Video) Boli Go Sajani Jeo Na Chinmoy Chatterjee ; swara-35
( Video) DE LO SAKHI DE : KANIKA BANDOPADHYAY -swara 48
(video) Hasi Keno Nai O Nayone - swara-35
( video) Ami Swapane Royechi Vor - Snigdha Adhikary swara-35
( Video) Bol Golap More by Swagatalaxmi Dashgupta.- swara- - 20
( Video) Keno go se more jeno - Debabrata Biswas - swara-35
Wednesday, July 27, 2016
(video) AMAR JABAR SAMAY HOLO : RABINDRA SANGEET - swara - 20
( video) Sara boros dekhine ma by Jayati Bhattacharyya - swara-9
(video) MALIN MUKHE PHUTUK HASI : PROMIT SEN swara-9
( video) AJ TOMARE DEKHTE ELEM Debabrata Biswas Rabindrasangeet - swara- 9
( video) Dui Hridoyer Nodi [ Narendranath Datta ] swara-55
Jagater Purohit tumi - no swaralipi / Tumi he premer Rabi -no swaralipi-
Four songs wrote on the occasion of marriage of the daughter [ Lila devi] of Rajnarayan Basu.
Next four songs were wrote by Rabindranath on the occasion of the marriage of Lila Devi , daughter of Rajnain Basu, with Krishna Kumar Mitra. The marriage was held on 15 Shraban , 1288. Narendranath Datta was one of the singer.
1. Jagater Purohit Tume, - no swaralipi
2. Subhadinae eseche Dunhe Charane tomar, - swara - 8
3. Tumi he premer Rabi, no swaralipi
4. Dui hridayer nadi , ekatre milila jadi swara-55..
1. Jagater Purohit Tume, - no swaralipi
2. Subhadinae eseche Dunhe Charane tomar, - swara - 8
3. Tumi he premer Rabi, no swaralipi
4. Dui hridayer nadi , ekatre milila jadi swara-55..
( video) Maran Re Tunhu Mamo Shyam Saman--Suchitra Mitra (1945) -swara-21
Published in Bharati, 1288, shraban. Bhanu singher kabita. Bhairabi - kaoyali.
(video) BASANTA PRABHATE EK MALATIR PHUL : DEBABRATA BISWAS GEORGE DA -swara-35
(video) TUI RE BASANTA SAMIRAN Subinoy Roy Rabindrasangeet - swara-20
(video) kichhui to holo na - Vikram singh Khurana - swara-35
Ke tumi go khuliyacha swarger duar -no swaralipi
(video) Ki holo amar(কী হল আমার! বুঝি বা সখী) - DEBABRATA BISWAS -swara - 20
Je bhalobasuk, se bhalobasuk - no swaralipi
katadin eksathe chinu ghumaghore - no swaralipi
Tuesday, July 26, 2016
Rabindranath at 20 - 1288/ 1881-1882
Rabindranath wrote 32 songs at the age of 20 of which of which 7 don't have swaralipi.
83. Katadin eksathe chinu ghumoghore-no swaralipi
84.Je bhalobasuk, se bhalobasuk - no swaralipi
85. Ki holo aamar, bujhiba sakhi - swara - 20
86. Ke tumi go khuliyacho swarger duar - no swaralipi
87. kichui to holo na - swara-35
88. tui je basanta samiran - swara - 20,
89. Basanta prabhate ek malati fool - swara- 35.
90. Tarutale chinnabrinta malatir fool - swara- 20
91. Maranare tunhu mama Shyama saman - swara - 21
92. Jagater purohit tume - no swaralipi
93. Shubha dine eseche donhe charane tomar - swara - 8
94. Tumi je premer Rabi - no swaralipi
95. Dui hridayer nadi, ekatre milila jadi - swara - 55
96. Banduya asamaye keno he prakash - sawra- 9
97. Aaj tomare dekhte elem - swara- 9
98. Malina mukha phutuk hansi - swara- 9
99. Sara barash dekhi ne ma - swara - 9,
100. Kabarite fool shukalo - no swaralipi
101. Ore jete habe, jete habe re - swara - 20
102. Aamar jabar samay holo - swara - 20
103. Keno go se more jeno kare na bishwas - swara - 35
104. Bal, golapa more bal - swara - 20
105. Aami swapane rayechi bhor - swara - 35
106. Hriday mor komala ati - swara - 35
107. Hasi kena nai o nayane - swara - 35
108. Eso go eso banadebata - no swaralipi
109. Deshe deshe bhrami taba dukhagaan gahiya - swara - 47.
110.De lo sakhi de paraiye chule - swara - 48
111. Bali go sajani, jeyo na - swara - 35
112. Ke jetechis aaire hota - swara - 35
113. Ananta sagaramajhe dao tari bhasaiye - swara - 8
114. Aamii shudhu rainu baki - swara - 8.
83. Katadin eksathe chinu ghumoghore-no swaralipi
84.Je bhalobasuk, se bhalobasuk - no swaralipi
85. Ki holo aamar, bujhiba sakhi - swara - 20
86. Ke tumi go khuliyacho swarger duar - no swaralipi
87. kichui to holo na - swara-35
88. tui je basanta samiran - swara - 20,
89. Basanta prabhate ek malati fool - swara- 35.
90. Tarutale chinnabrinta malatir fool - swara- 20
91. Maranare tunhu mama Shyama saman - swara - 21
92. Jagater purohit tume - no swaralipi
93. Shubha dine eseche donhe charane tomar - swara - 8
94. Tumi je premer Rabi - no swaralipi
95. Dui hridayer nadi, ekatre milila jadi - swara - 55
96. Banduya asamaye keno he prakash - sawra- 9
97. Aaj tomare dekhte elem - swara- 9
98. Malina mukha phutuk hansi - swara- 9
99. Sara barash dekhi ne ma - swara - 9,
100. Kabarite fool shukalo - no swaralipi
101. Ore jete habe, jete habe re - swara - 20
102. Aamar jabar samay holo - swara - 20
103. Keno go se more jeno kare na bishwas - swara - 35
104. Bal, golapa more bal - swara - 20
105. Aami swapane rayechi bhor - swara - 35
106. Hriday mor komala ati - swara - 35
107. Hasi kena nai o nayane - swara - 35
108. Eso go eso banadebata - no swaralipi
109. Deshe deshe bhrami taba dukhagaan gahiya - swara - 47.
110.De lo sakhi de paraiye chule - swara - 48
111. Bali go sajani, jeyo na - swara - 35
112. Ke jetechis aaire hota - swara - 35
113. Ananta sagaramajhe dao tari bhasaiye - swara - 8
114. Aamii shudhu rainu baki - swara - 8.
Monday, July 25, 2016
Balmiki Prativa (contd -1)
Vālmīki-Praṭibhā is an opera by Rabindranath Tagore. The Bengali libretto was written by Tagore himself based on the legend of Ratnakara the Thug who later became Sage Valmiki and composed Ramayana, a Hindu epic.
Composed in 1881, the opera was first performed at the Jorasanko Thakur Bari on 26 February 1881.[1] Tagore himself played the role of Valmiki.[1] It was staged in front of some eminent literary personalities of contemporary Bengal like Bankim Chandra Chattopadhyay, Gooroodas Banerjee and Haraprasad Shastri. The first edition of the opera was also published this time.[1] The second and final edition was published on 20 February 1886.
The music of this opera was a "fusion of classical, folk and European strains." The story narrates how Ratnakara, a robber chief turns into a great poet by the grace ofSaraswati, the goddess of wisdom
Name
Tagore wrote in his reminiscence, Jibansmriti, “[In Valmiki-Pratibha] I played Valmiki and my niece Pratibha played Saraswati – this history remains in the naming of Valmiki-Pratibha.”
Synopsis
One night, Valmiki, the robber chief, and his men captured a young girl to be sacrificed before Kali, goddess of death. As Valmiki approached to behead the girl, her cries melt the robber chief’s heart and she was released. Later Valmiki’s men found that their leader was taking no more pleasure in bloodshed. Considering it a shameful cowardliness, they abandoned him. Valmiki began to wander in the forest. One day he saw a young hunter killing two innocent love birds. Raged, he uttered a curse which curiously enough, came out inSanskrit, the language of the gods that he never learnt. Valmiki saw an image of Saraswati, the goddess of wisdom being worshipped by the forest-nymphs. He renounced Kali and began his long search for the fair goddess. In the mean time, Laksmi, goddess of fortune, approached to detract him, but he refused her. At last his penance was rewarded and Saraswati appeared to him. It turned out that the little girl he saved form beheading was none other than the goddess herself in disguise who came to melt his 'stony' heart. Later, the goddess offered her Veena to Valmiki and blessed him with music.
Roles and historical cast
In the list below, the role is followed by the original cast member from the 1881 production.
- Valmiki, the robber chief – Rabindranath Tagore.
- Saraswati, goddess of wisdom – Pratibha Devi, Tagore’s niece.
- Lakshmi, goddess of fortune – Sushila Devi, Tagore’s niece.
- robbers – Sarada Prasad Ganguly, Kedarnath Majumdar, Akshay Majumdar.
(video) Balmiki Prativa - Performance by inmates of West Bengal correctional hom...
Next portion containing 26 songs and one poem was taken from Balmiki Prativa, 1st edition, Falgun, 1287. 16 Falgun 1287 ( 1881 Feb 26 ), this dance Drama was staged before the learned assembly. This was staged on the top floor of the house at jorasanko.
Balmikiprativa is born in the environment of a mixture of national and abroad tuning . The most of its tuning is national. It was not in vain to utilize song in the dialogue of the characters. This is speciality of Balmikiprativa Some songs of Balmikiprativa is of broken lines. Many of them are tuned by Jyotidada and only 3 songs taken from foreign tuning.
Rabindranath homself played the role of balmikiand his niece Prativa took the role of Sarswati. there lies justification of its title.
Balmikiprativa is born in the environment of a mixture of national and abroad tuning . The most of its tuning is national. It was not in vain to utilize song in the dialogue of the characters. This is speciality of Balmikiprativa Some songs of Balmikiprativa is of broken lines. Many of them are tuned by Jyotidada and only 3 songs taken from foreign tuning.
Rabindranath homself played the role of balmikiand his niece Prativa took the role of Sarswati. there lies justification of its title.
( video) Shokhi Bhabona Kahare BoLe ~~~ Sraboni Sen - swara - 20
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